From dusk till Bolaño: el amanecer gótico en su narrativa.

This article explores the circulation of literary ideas facilitated by the Gothic mode in La pista de hielo, while considering the totality of Roberto Bolaño's production. Through the analysis of this corpus, the article proposes a critical reflection on the concepts of "Latin American Gothic" and "...

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Publicado en:Canadian Journal of Latin American & Caribbean Studies (Taylor & Francis Ltd) Vol. 50; no. 3; pp. 313 - 341
Autor principal: Nedvyga, Olga
Formato: Artículo
Publicado: Taylor & Francis Ltd Nov2025
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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      dt: Nov2025
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      pub: Taylor & Francis Ltd
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        atl: From dusk till Bolaño: el amanecer gótico en su narrativa.
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        au: Nedvyga, Olga
        affil: Literatures and Languages of the World, Université de Montréal, Montreal, Quebec, Canada
      su:
        Popular culture
        Communication
        Gothic fiction (Literary genre)
        Mystery fiction
        Horror tales
        Spacetime
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        subj:
          Popular culture
          Communication
          Gothic fiction (Literary genre)
          Mystery fiction
          Horror tales
          Spacetime
      keyword:
        globalgothic
        Gothic mode
        popular culture
        postcolonial Gothic
        Roberto Bolaño
        globalgothic
        Gothic mode
        popular culture
        postcolonial Gothic
        Roberto Bolaño
        globalgothic
        Gothic mode
        popular culture
        postcolonial Gothic
        Roberto Bolaño
        globalgothic
        Gothic mode
        popular culture
        postcolonial Gothic
        Roberto Bolaño
      ab: This article explores the circulation of literary ideas facilitated by the Gothic mode in La pista de hielo, while considering the totality of Roberto Bolaño's production. Through the analysis of this corpus, the article proposes a critical reflection on the concepts of "Latin American Gothic" and "globalgothic" and their complex relationship with the postcolonial dynamic of tropicalization. Similarly, I argue that the novel performs a de-hierarchization akin to popular culture: by centering doubly marginalized territories, both in social terms and in literary studies, it disputes – from these margins – the polemics consecrated by the studia humanitatis. This contributes to the comic tone that is particularly noticeable amidst the traditional scenarios of horror. Methodologically, I alternate between internal and external analyses of the text to examine the configuration of Gothic space-times on both levels.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Spanish
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