Retranslating, repackaging, and recontextualizing Simone de Beauvoir's Le deuxième sexe in the Turkish context with an invisible feminist translator.

This article analyzes the Turkish retranslation of Beauvoir's Le deuxième sexe, translated by Gülnur Acar Savran and published by Koç University Press in 2019, with a focus on the receiving cultural context. The study aims to problematize the fact that the female translator of this 'feminist retrans...

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Publicado en:Perspectives: Studies in Translatology Vol. 33; no. 6; pp. 1210 - 1228
Autor principal: Cengiz, Ayşenaz
Formato: Artículo
Publicado: Taylor & Francis Ltd Dec2025
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Acceso en línea:Ver este registro en EBSCOhost
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      dt: Dec2025
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        10.1080/0907676X.2024.2349540
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        atl: Retranslating, repackaging, and recontextualizing Simone de Beauvoir's Le deuxième sexe in the Turkish context with an invisible feminist translator.
      aug:
        au: Cengiz, Ayşenaz
        affil: Department of Translation and Interpreting Studies, Boğaziçi University, Istanbul, Türkiye
      su:
        Feminist theory
        Women's studies
        Translating & interpreting
        Social context
        Translators
        Beauvoir, Simone de, 1908-1986
        Gender studies
        Türkiye
      sug:
        subj:
          Türkiye
          Feminist theory
          Women's studies
          Translating & interpreting
          Social context
          Translators
          Beauvoir, Simone de, 1908-1986
          Gender studies
      keyword:
        Beauvoir
        feminist translation
        gender and translation
        Le deuxième sexe
        Paratext
        retranslation
      ab: This article analyzes the Turkish retranslation of Beauvoir's Le deuxième sexe, translated by Gülnur Acar Savran and published by Koç University Press in 2019, with a focus on the receiving cultural context. The study aims to problematize the fact that the female translator of this 'feminist retranslation' is often overlooked. To examine the publisher's motivations for retranslating this work, the paratextual elements are compared to the previous translation. The previous translation was published in three volumes, each with a different subtitle inspired by the second volume of the original text. Additionally, the use of photographs of women on the front covers and the emphasis on the scandalous nature of the text on the back covers did not promote its feminist content. The main argument is that the new translation reintroduces the source text as a feminist classic to a new readership in Türkiye, with the added benefit of the translator and publisher's ideological and academic background, without giving due credit to the translator. My analysis on the paratextual level and the current discussion about Acar Savran's invisibility as a retranslator have led me to problematize the issue within feminist translation studies, referring to the double invisibility of women as translators.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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