Renaissance Deepfake and the Duping of Othello: Iago as Archimago.
This article proposes that the sexually explicit illusions counterfeited by Spenser's enchanter Archimago and Shakespeare's slanderer Iago, while grounded in early modern debates about idolatry and morality, disturbingly prefigure contemporary anxieties about pornographic deep-fakes. After examining...
| Publicado en: | Journal for Early Modern Cultural Studies Vol. 24; no. 1/2; pp. 101 - 133 |
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| Formato: | Artículo |
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University of Pennsylvania Press
Winter/Spring2024
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| Acceso en línea: | Ver este registro en EBSCOhost |