"My love of art presents me with a daily dilemma": The Professional Identity of Haredi Art Teachers in Ultra-Orthodox High Schools for Girls.

The adoption of modern values has constituted a challenge in traditional societies. This includes the ultra-Orthodox (Haredi) community in Israel, which has experienced change in a number of domains, particularly in education and employment. This case study examines the situation of women art teache...

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Publicado en:Israel Studies Vol. 30; no. 2; pp. 227 - 252
Autor principal: Cohn, Noa Lea
Formato: Artículo
Publicado: Indiana University Press Summer2025
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: "My love of art presents me with a daily dilemma": The Professional Identity of Haredi Art Teachers in Ultra-Orthodox High Schools for Girls.
      aug:
        au: Cohn, Noa Lea
      su:
        Israel
        Foucault, Michel, 1926-1984
        Professional identity
        Qualitative research
        Culture conflict
        Women in education
        Religious education
        Art education in secondary schools
        Art education
      sug:
        subj:
          Professional identity
          Qualitative research
          Culture conflict
          Women in education
          Religious education
          Israel
          Art education in secondary schools
          Art education
          Foucault, Michel, 1926-1984
      keyword:
        Agency and Constraint
        Art Teachers
        Artist-Teacher Duality
        Cultural Negotiation
        Gender and Religiosity
        Haredi Habitus
        Professional Identity
        Religious Dilemmas
        Ultra-orthodox Education
        Agency and Constraint
        Art Teachers
        Artist-Teacher Duality
        Cultural Negotiation
        Gender and Religiosity
        Haredi Habitus
        Professional Identity
        Religious Dilemmas
        Ultra-orthodox Education
      ab: The adoption of modern values has constituted a challenge in traditional societies. This includes the ultra-Orthodox (Haredi) community in Israel, which has experienced change in a number of domains, particularly in education and employment. This case study examines the situation of women art teachers in Haredi schools who must contend with the conflict between educational materials in the modern world and the ideological framework of ultra-Orthodox society. Using Foucault's concept of a "transparent surveillance" mechanism, by which the subject internalizes the gaze to the point where it becomes invisible yet ever-present, this study explores the dilemmas of these teachers and their professional identity, in ways that are relevant beyond the ultra-Orthodox world. The research is based on a qualitative content analysis of interviews with a group of art teachers in the ultra-Orthodox secondary school system, in which art is a relatively new subject. The findings indicate that these teachers, whether consciously or unconsciously, develop a complex identity in response to their professional challenges and conflicts. Accordingly, they employ a variety of strategies to function as dual agents—of both preservation and change—as they straddle the line between tradition and modernity. The findings challenge Foucauldian perspectives by demonstrating that these intersecting mechanisms of transparent surveillance, rather than merely constraining agency, paradoxically create spaces for strategic negotiation and resistance. In some cases, their agency is enacted without full awareness of its broader implications.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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