The idol and the iconoclasts: popular anti-capitalist critique in fin-de-siècle print culture.

What type of icons can give face to a system that carries the mark of transience and rules with abstraction? Using this question as its point of departure, this article attends to popular representations of capitalism in the works of fin-de-siècle French graphic artists, especially those with radica...

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Bibliographic Details

Published in:	Early Popular Visual Culture Vol. 23; no. 3; pp. 247 - 271
Main Author:	Menevse, Asli
Format:	Article
Published:	Taylor & Francis Ltd Aug2025
Subjects:	Print culture Anti-capitalist movement Artists Turn of the century (19th-20th century) Religious idols Occupy protest movement
Online Access:	View this record in EBSCOhost