The idol and the iconoclasts: popular anti-capitalist critique in fin-de-siècle print culture.

What type of icons can give face to a system that carries the mark of transience and rules with abstraction? Using this question as its point of departure, this article attends to popular representations of capitalism in the works of fin-de-siècle French graphic artists, especially those with radica...

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Publicado en:	Early Popular Visual Culture Vol. 23; no. 3; pp. 247 - 271
Autor principal:	Menevse, Asli
Formato:	Artículo
Publicado:	Taylor & Francis Ltd Aug2025
Materias:	Print culture Anti-capitalist movement Artists Turn of the century (19th-20th century) Religious idols Occupy protest movement
Acceso en línea:	Ver este registro en EBSCOhost