Distribution and Promotion of New Practices and Rites for Film Circulation in Italy: The Case Study of the Lago Film Fest.
Starting from the idea that film circulation is nowadays influenced by several aspects (e.g. the impact of digital production, the Subscription Video on Demand (SVOD) platforms' growth and so on), this work aims to explore how film festivals can be considered an innovative space for film circulation...
| Published in: | Italianist Vol. 45; no. 2; pp. 296 - 314 |
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| Format: | Article |
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Taylor & Francis Ltd
Jun2025
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=191985918&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 191985918 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 02614340 PKL jtl: Italianist issn: 02614340 maglogo: N pubinfo: dt: Jun2025 vid: 45 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 191985918 10.1080/02614340.2025.2529040 ppf: 296 ppct: 18 formats: fmt: – @attributes: type: T db: hlh ui: 191985918 – @attributes: type: P db: hlh ui: 191985918 tig: atl: Distribution and Promotion of New Practices and Rites for Film Circulation in Italy: The Case Study of the Lago Film Fest. aug: au: Carbone, Federica affil: Media and Communication, Università Cattolica del Sacro Cuore, Milan, Italy su: Italy Motion picture distribution Cinematography Stakeholders Film festivals Communities of practice sug: subj: Italy Motion picture and video exhibition Motion Picture and Video Distribution Motion picture distribution Cinematography Stakeholders Film festivals Communities of practice keyword: audiences co-creation communities of practice film circulation film festival practices audiences co-creation communities of practice film circulation film festival practices ab: Starting from the idea that film circulation is nowadays influenced by several aspects (e.g. the impact of digital production, the Subscription Video on Demand (SVOD) platforms' growth and so on), this work aims to explore how film festivals can be considered an innovative space for film circulation, in which stakeholders constantly co-create and renegotiate the film product meanings and thus the cinematographic experience with (and of) the audiences. Specifically, an Italian case will be analysed: the Lago Film Fest in Treviso (Italy). The results aim to show that audiences actively engage with these different forms of film circulation, by an impacting hybridity between films and the digital realm, hence requiring a great commitment from the audiences. The results also show how much people appreciate feeling they are active participants in this process. This example suggests a lot about the need to guarantee them a more engaging film circulation. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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