The Rich Gloss of Surface: Allegory and Sacred Theft in The Merchant of Venice.
In criticism, the motif of theft in The Merchant of Venice has simply been regarded as an ironic counterpoint to the characters' invocation of Christian values. In contrast, this article argues that Shylock's account of Jacob's ewes – a narrative of primordial appropriation and displacement – introd...
| Published in: | Shakespeare (1745-0918) Vol. 22; no. 1; pp. 120 - 139 |
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| Format: | Literary Criticism |
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Taylor & Francis Ltd
Apr2026
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| Subjects: | |
| Online Access: | View this record in EBSCOhost |