The Rich Gloss of Surface: Allegory and Sacred Theft in The Merchant of Venice.

In criticism, the motif of theft in The Merchant of Venice has simply been regarded as an ironic counterpoint to the characters' invocation of Christian values. In contrast, this article argues that Shylock's account of Jacob's ewes – a narrative of primordial appropriation and displacement – introd...

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Detalles Bibliográficos
Publicado en:Shakespeare (1745-0918) Vol. 22; no. 1; pp. 120 - 139
Autor principal: Coral, Jordi
Formato: Literary Criticism
Publicado: Taylor & Francis Ltd Apr2026
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Acceso en línea:Ver este registro en EBSCOhost