The Surplus of Meaning: Translating Adam Mickiewicz's Pan Tadeusz.

The article focuses on Adam Mickiewicz’s *Pan Tadeusz*, a seminal 1834 Polish epic poem often regarded as Poland’s national epic but less recognized internationally due to historical and linguistic factors. It examines the challenges of translating *Pan Tadeusz*—notably its complex form of nearly fi...

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Publicado en:Polish Review Vol. 71; no. 2; pp. 103 - 111
Autor principal: Bill, Stanley
Formato: Artículo
Publicado: University of Illinois Press 2026
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Surplus of Meaning: Translating Adam Mickiewicz's Pan Tadeusz.
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        au: Bill, Stanley
        affil: University of Cambridge
      su:
        Translating & interpreting
        Translations of poetry
        Literary interpretation
        Poets
        Poetry (Literary form)
        Translators
        Polish literature
        Poland
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          Poland
          Translating & interpreting
          Translations of poetry
          Literary interpretation
          Poets
          Poetry (Literary form)
          Translators
          Polish literature
      ab: The article focuses on Adam Mickiewicz’s *Pan Tadeusz*, a seminal 1834 Polish epic poem often regarded as Poland’s national epic but less recognized internationally due to historical and linguistic factors. It examines the challenges of translating *Pan Tadeusz*—notably its complex form of nearly five thousand rhymed Alexandrine couplets—and compares two recent English translations: Bill Johnston’s 2018 verse translation and Christopher Adam Zakrzewski’s 2024 prose version. Johnston’s translation strives to recreate the poem’s poetic form and rhythmic qualities using iambic pentameter and varied rhyme, while Zakrzewski’s prose aims for accessibility and readability, presenting the work more as a historical novel. Both translations address the tension between preserving the poem’s stylistic richness and making it available to English readers, with Johnston’s version praised for its poetic fidelity and Zakrzewski’s for its clarity and narrative flow.
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    language: English
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