Phenomenological open graphic notation with chaotic systems in interactive electroacoustic music.

This article explores phenomenological open graphic notation as an effective scoring method for instrumentalists engaging with chaotic systems in interactive electroacoustic music. Open graphic notation has long provided composers with a means of fostering interpretative freedom in musical performan...

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Bibliographic Details

Published in:	Organised Sound Vol. 30; no. 3; pp. 257 - 269
Main Author:	Hildebrand, Nolan
Format:	Article
Published:	Cambridge University Press Dec2025
Subjects:	Musical notation Chaos theory Pattern perception Music scores Computer music Instrumental music Music improvisation
Online Access:	View this record in EBSCOhost