Phenomenological open graphic notation with chaotic systems in interactive electroacoustic music.

This article explores phenomenological open graphic notation as an effective scoring method for instrumentalists engaging with chaotic systems in interactive electroacoustic music. Open graphic notation has long provided composers with a means of fostering interpretative freedom in musical performan...

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Publicado en:	Organised Sound Vol. 30; no. 3; pp. 257 - 269
Autor principal:	Hildebrand, Nolan
Formato:	Artículo
Publicado:	Cambridge University Press Dec2025
Materias:	Musical notation Chaos theory Pattern perception Music scores Computer music Instrumental music Music improvisation
Acceso en línea:	Ver este registro en EBSCOhost