Neoliberalism, Homophobia, and the Long Arm of the 1980s: The Second Production of Harrison Birtwistle's The Mask of Orpheus and its Press Reception.
In May 1986, Harrison Birtwistle's The Mask of Orpheus premiered at the English National Opera. Despite being lauded in the New York Times as 'unquestionably the greatest achievement by a British composer in our time', it would not be staged again for another 33 years. When it finally was, again at...
| Publicado en: | Contemporary Music Review Vol. 44; no. 3; pp. 167 - 188 |
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| Formato: | Arts/Entertainment Review |
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Taylor & Francis Ltd
Sep2025
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| Acceso en línea: | Ver este registro en EBSCOhost |