| Sumario: | The article focuses on South Korean artist-filmmaker Eunjo Lee’s Hesapia trilogy (2024–25), which explores a post-anthropocentric worldview where humans, nature, and machines coexist with equal subjectivity. Using 3D animation software like Unreal Engine and Blender, Lee creates surreal landscapes that blur distinctions between organic and inorganic life, emphasizing vitality and interdependence among all beings. The trilogy’s narrative, delivered in English and a fictional language, presents death as a generative process within an ecological cosmology that challenges human exceptionalism and addresses themes of digital alienation, violence, and environmental decay.
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