EUNJO LEE.

The article focuses on South Korean artist-filmmaker Eunjo Lee’s Hesapia trilogy (2024–25), which explores a post-anthropocentric worldview where humans, nature, and machines coexist with equal subjectivity. Using 3D animation software like Unreal Engine and Blender, Lee creates surreal landscapes t...

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Publicado en:ArtAsiaPacific no. 149; pp. 33 - 34
Autor principal: MEIER, ANNETTE
Formato: Artículo
Publicado: ArtAsiaPacific Holdings Ltd. Jul/Aug2026
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        3-D animation
        Film series
        Social alienation
        Virtual reality
        Anthropocentrism
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          3-D animation
          Film series
          Social alienation
          Virtual reality
          Anthropocentrism
      ab: The article focuses on South Korean artist-filmmaker Eunjo Lee’s Hesapia trilogy (2024–25), which explores a post-anthropocentric worldview where humans, nature, and machines coexist with equal subjectivity. Using 3D animation software like Unreal Engine and Blender, Lee creates surreal landscapes that blur distinctions between organic and inorganic life, emphasizing vitality and interdependence among all beings. The trilogy’s narrative, delivered in English and a fictional language, presents death as a generative process within an ecological cosmology that challenges human exceptionalism and addresses themes of digital alienation, violence, and environmental decay.
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