| Sumario: | The article focuses on Cheng-Lan’s Corner, a private art foundation and physical space in Hong Kong founded by Claire Bi, an educator and entrepreneur, and Brian Yue, an architectural designer. Named after Brian’s grandmother, the foundation centers on artists from the global majority and aims to create a porous, community-based environment that blurs the boundaries between exhibition and lived experience. Its inaugural exhibition featured Filipino artist Cian Dayrit, whose work addresses histories of empire and labor through textile counter-cartographies and sculptural assemblages. The foundation emphasizes education, public engagement, and support for experimental art practices, seeking to foster meaningful connections across diverse communities while acknowledging the complex histories of its location.
|
|---|