BRIAN YUE & CLAIRE BI: To Carry, Gracefully.

The article focuses on Cheng-Lan’s Corner, a private art foundation and physical space in Hong Kong founded by Claire Bi, an educator and entrepreneur, and Brian Yue, an architectural designer. Named after Brian’s grandmother, the foundation centers on artists from the global majority and aims to cr...

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Publicado en:ArtAsiaPacific no. 149; pp. 44 - 48
Autor principal: CHAN, MICHELE
Formato: Artículo
Publicado: ArtAsiaPacific Holdings Ltd. Jul/Aug2026
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: BRIAN YUE & CLAIRE BI: To Carry, Gracefully.
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        au: CHAN, MICHELE
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        Community involvement
        Exhibitions
        Postcolonial literature
        Capacity building
        Arts endowments
        Avant-garde (Arts)
        Artists
        Hongkongers
        Hong Kong (China)
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          Hong Kong (China)
          Community involvement
          Exhibitions
          Postcolonial literature
          Capacity building
          Arts endowments
          Avant-garde (Arts)
          Artists
          Hongkongers
      ab: The article focuses on Cheng-Lan’s Corner, a private art foundation and physical space in Hong Kong founded by Claire Bi, an educator and entrepreneur, and Brian Yue, an architectural designer. Named after Brian’s grandmother, the foundation centers on artists from the global majority and aims to create a porous, community-based environment that blurs the boundaries between exhibition and lived experience. Its inaugural exhibition featured Filipino artist Cian Dayrit, whose work addresses histories of empire and labor through textile counter-cartographies and sculptural assemblages. The foundation emphasizes education, public engagement, and support for experimental art practices, seeking to foster meaningful connections across diverse communities while acknowledging the complex histories of its location.
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    language: English
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