The Rape-Revenge Plot as a Reading of María de Zayas and Ana Caro de Mallén in Herminia Luque's Amar tanta belleza (2015).

This article analyzes Herminia Luque’s 2015 novel *Amar tanta belleza*, which reinterprets the works and legacies of seventeenth-century Spanish women writers Ana Caro de Mallén and María de Zayas through a rape-revenge narrative framework. The novel uses this plot device to explore the pervasive ra...

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Publicado en:Revista Hispánica Moderna (0034-9593) Vol. 79; no. 1; pp. 89 - 107
Autor principal: Valencia, Felipe
Formato: Literary Criticism
Publicado: University of Pennsylvania Press Jun2026
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Rape-Revenge Plot as a Reading of María de Zayas and Ana Caro de Mallén in Herminia Luque's Amar tanta belleza (2015).
      aug:
        au: Valencia, Felipe
        affil: Utah State University
      su:
        Feminist literature
        Patriarchy
        Authors
        Spanish literature
        Fiction
        Ovid, 43 B.C.-17 or 18 A.D.
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        subj:
          Feminist literature
          Patriarchy
          Authors
          Spanish literature
          Fiction
          Ovid, 43 B.C.-17 or 18 A.D.
      keyword:
        Amar Tanta Belleza
        Ana Caro De Mallén
        Herminia Luque
        María De Zayas
        Myth of Arachne
        Rape-Revenge Plot
      ab: This article analyzes Herminia Luque’s 2015 novel *Amar tanta belleza*, which reinterprets the works and legacies of seventeenth-century Spanish women writers Ana Caro de Mallén and María de Zayas through a rape-revenge narrative framework. The novel uses this plot device to explore the pervasive rape culture and misogyny within early modern Spanish literary circles, highlighting the oppression faced by women writers and their solidarity in crafting distinctively feminine texts. Luque incorporates early modern tropes such as the effeminate or "lindo" man to critique gender nonconformity as linked to patriarchal violence, while also engaging with classical myths—particularly those of Arachne and Procne and Philomela from Ovid’s *Metamorphoses*—to articulate a feminist poetics of women’s writing as acts of resistance. Positioned within contemporary Spanish feminist politics, the novel serves as both a historical and cultural intervention that challenges ongoing silencing of women’s voices in literature and society.
      pubtype: Academic Journal
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    language: English
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