The dissemination of sinographic calligraphy in Vietnam.
The dissemination of sinographic calligraphy in Vietnam spans over two millennia and constitutes a central component of the country's Hán–Nôm cultural heritage. Its transmission was driven by both elite endorsement and popular participation. In particular, the institutionalization of the Calligraphy...
| Publicado en: | Journal of Chinese Writing Systems Vol. 10; no. 3; pp. 214 - 232 |
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| Formato: | Artículo |
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Sage Publications Inc.
Sep2026
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=197008776&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 197008776 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 25138502 L973 jtl: Journal of Chinese Writing Systems issn: 25138502 maglogo: Y pubinfo: dt: Sep2026 vid: 10 iid: 3 pid: 344 pub: Sage Publications Inc. artinfo: ui: 197008776 10.1177/25138502261479754 ppf: 214 ppct: 18 formats: tig: atl: The dissemination of sinographic calligraphy in Vietnam. aug: au: Zhengyin, Liu affil: International College, Southwest University, China sug: keyword: Calligraphy and Arithmetic Examination diffusion of sinographic calligraphy Quốc Ngữ script Vietnam calligraphy ab: The dissemination of sinographic calligraphy in Vietnam spans over two millennia and constitutes a central component of the country's Hán–Nôm cultural heritage. Its transmission was driven by both elite endorsement and popular participation. In particular, the institutionalization of the Calligraphy and Arithmetic Examination (书 算科) functioned as a primary mechanism for the professionalization of calligraphic practice, fostering a class of administrative specialists proficient in script production. The diffusion process produced significant cultural and formal transformations. Vietnamese practitioners not only adapted inherited sinographic forms into localized variants—including Southern character (南字) and regionally distinctive stylistic features—but also extended sinographic aesthetic principles into the domain of Quốc Ngữ calligraphy. These research outcomes contribute to a more nuanced comparative understanding of the transmission of sinographic calligraphy throughout East Asia. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2026 holdings: @attributes: islocal: N |
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