The Soundscapes of Resistance: Notes on the Postmodern Condition of Spanish Pop Music1.

The article reflects on the authors views about Spanish popular music. In this essay the author only focuses on Las niñas. It intends to question the cultural imperialism thesis as an oversimplified paradigm that fails to encompass the complex cultural and political implications entangled in the var...

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Publicado en:Journal of Spanish Cultural Studies Vol. 7; no. 1; pp. 75 - 92
Autor principal: Pérez, Jorge
Formato: Artículo
Publicado: Taylor & Francis Ltd Feb2006
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: Pérez, Jorge
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        Spain
        Popular music
        Music
        Postmodernism (Philosophy)
        Imperialism
        Culture
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          Popular music
          Music
          Postmodernism (Philosophy)
          Imperialism
          Culture
          Spain
      ab: The article reflects on the authors views about Spanish popular music. In this essay the author only focuses on Las niñas. It intends to question the cultural imperialism thesis as an oversimplified paradigm that fails to encompass the complex cultural and political implications entangled in the various sites of production and reception of popular music. Lyrics of the controversial OjÚ by Las niñas and an opening track of the album "Niñas de barrio" are presented.
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