Nostalgia and digital technology: The Gleaners and I (Varda, 2000) and The Triplets of Belleville (Chomet, 2003) as reflective genres.

An ironic tension between nostalgia and digital technology permeates Les Glaneurs et la glaneuse and Les Triplettes de Belleville. Both films are political and critical: Varda denounces excess, waste and frivolous behaviour in the contemporary world, while Chomet expresses dissatisfaction with moder...

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Publicado en:	Studies in French Cinema Vol. 5; no. 3; pp. 219 - 230
Autor principal:	Fauvel, Maryse
Formato:	Artículo
Publicado:	Taylor & Francis Ltd 2005
Materias:	Nostalgia Digital media Gleaners & I, The (Film) Triplets of Belleville, The (Film) Digital cinematography Film genres
Acceso en línea:	Ver este registro en EBSCOhost