Composing in real-time?
The author briefly describes his Duet for one pianist, which is probably the earliest instance of live interaction between performer and computer entirely within the realm of acoustic sounds. However the main point of the article is to draw attention upon problems related to real-time. Not only does...
| Publicado en: | Contemporary Music Review Vol. 18; no. 3; pp. 31 - 40 |
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| Autor principal: | |
| Formato: | Artículo |
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Taylor & Francis Ltd
1999
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=24876185&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 24876185 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 1999 vid: 18 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 24876185 10.1080/07494469900640331 ppf: 31 ppct: 9 formats: fmt: – @attributes: type: T – @attributes: type: P size: 522KB tig: atl: Composing in real-time? aug: au: Risset, Jean-Claude su: Computer music Musical composition Pianists Piano music Musicians Sounds sug: subj: Computer music Musical composition Pianists Piano music Musicians Sounds keyword: composition computer synthesis of sound interaction performance Real-time ab: The author briefly describes his Duet for one pianist, which is probably the earliest instance of live interaction between performer and computer entirely within the realm of acoustic sounds. However the main point of the article is to draw attention upon problems related to real-time. Not only does the use of real-time systems bring limitations and difficulties for the durability of the music, but one may even argue that the concept of real-time concerns primarily performance and may be of little relevance to musical composition. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 1999 holdings: @attributes: islocal: N |
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