Composing in real-time?
The author briefly describes his Duet for one pianist, which is probably the earliest instance of live interaction between performer and computer entirely within the realm of acoustic sounds. However the main point of the article is to draw attention upon problems related to real-time. Not only does...
| Published in: | Contemporary Music Review Vol. 18; no. 3; pp. 31 - 40 |
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| Main Author: | |
| Format: | Article |
| Published: |
Taylor & Francis Ltd
1999
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| Subjects: | |
| Online Access: | View this record in EBSCOhost |