The performer is us.
Interactive media present new opportunities for composers to create compositions that allow members of the public, even those without musical skill, to become performers. A categorization of different types of interactive realtime music is proposed from the perspective of the performer's role.
| Publicado en: | Contemporary Music Review Vol. 18; no. 3; pp. 25 - 31 |
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| Autor principal: | |
| Formato: | Artículo |
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Taylor & Francis Ltd
1999
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| Acceso en línea: | Ver este registro en EBSCOhost |
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