The performer is us.
Interactive media present new opportunities for composers to create compositions that allow members of the public, even those without musical skill, to become performers. A categorization of different types of interactive realtime music is proposed from the perspective of the performer's role.
| Published in: | Contemporary Music Review Vol. 18; no. 3; pp. 25 - 31 |
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| Format: | Article |
| Published: |
Taylor & Francis Ltd
1999
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| Subjects: | |
| Online Access: | View this record in EBSCOhost |