CHAPTER VII: MEMORY AS ONTOLOGICAL DISRUPTION: HIROSHIMA MON AMOUR AS A POSTMODERN WORK.

Chapter 7 of the book "In Language and in Love: Marguerite Duras: The Unspeakable" is presented. The chapter presents an analysis of the screenplay "Hiroshima mon amour," written by Marguerite Duras. The authors view the screenplay as an open-ended work of infinite regression and referral. They exam...

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Detalles Bibliográficos
Publicado en:	In Language & In Love: Marguerite Duras - The Unspeakable pp. 119 - 139
Autores principales:	Gronhovd, Anne-Marie, VanderWolk, William C.
Formato:	Capítulo de libro
Publicado:	Digitalia Publishing Corp. 1992
Materias:	Screenplays Hiroshima mon amour (Film) Duras, Marguerite, 1914-1996 Film scriptwriting Criticism
Acceso en línea:	Ver este registro en EBSCOhost

Descripción
Sumario:	Chapter 7 of the book "In Language and in Love: Marguerite Duras: The Unspeakable" is presented. The chapter presents an analysis of the screenplay "Hiroshima mon amour," written by Marguerite Duras. The authors view the screenplay as an open-ended work of infinite regression and referral. They examine how Duras' screenplay eludes epistemological inquiry and logical (re)construction through fragmentation, indeterminacy, and subversion, among others.