CHAPTER VII: MEMORY AS ONTOLOGICAL DISRUPTION: HIROSHIMA MON AMOUR AS A POSTMODERN WORK.

Chapter 7 of the book "In Language and in Love: Marguerite Duras: The Unspeakable" is presented. The chapter presents an analysis of the screenplay "Hiroshima mon amour," written by Marguerite Duras. The authors view the screenplay as an open-ended work of infinite regression and referral. They exam...

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Publicado en:In Language & In Love: Marguerite Duras - The Unspeakable pp. 119 - 139
Autores principales: Gronhovd, Anne-Marie, VanderWolk, William C.
Formato: Capítulo de libro
Publicado: Digitalia Publishing Corp. 1992
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: CHAPTER VII: MEMORY AS ONTOLOGICAL DISRUPTION: HIROSHIMA MON AMOUR AS A POSTMODERN WORK.
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        au:
          Gronhovd, Anne-Marie
          VanderWolk, William C.
        affil: Assistant professor of French, Gustavus Adolphus College
      su:
        Screenplays
        Hiroshima mon amour (Film)
        Duras, Marguerite, 1914-1996
        Film scriptwriting
        Criticism
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        subj:
          Screenplays
          Hiroshima mon amour (Film)
          Duras, Marguerite, 1914-1996
          Film scriptwriting
          Criticism
      ab: Chapter 7 of the book "In Language and in Love: Marguerite Duras: The Unspeakable" is presented. The chapter presents an analysis of the screenplay "Hiroshima mon amour," written by Marguerite Duras. The authors view the screenplay as an open-ended work of infinite regression and referral. They examine how Duras' screenplay eludes epistemological inquiry and logical (re)construction through fragmentation, indeterminacy, and subversion, among others.
      pubtype: Book
      doctype: Book Chapter
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    language: English
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