Role Models and Andean Identities in Clorinda Matto de Turner's Hima-Sumac.

A chapter of the book "Studies in Honor of Denah Lida" that cites the Andean characters in the musical melodrama "Hima-Sumac" of author Clorinda Matto de Turner is presented. The "Hima-Sumac" addresses the discords of the 1880s because of the War of the Pacific, featuring Hima-Sumac who, despite bei...

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Detalles Bibliográficos
Publicado en:Studies in Honor of Denah Lida pp. 297 - 306
Autor principal: Berg, Mary G.
Formato: Capítulo de libro
Publicado: Digitalia Publishing Corp. 2005
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Acceso en línea:Ver este registro en EBSCOhost
Descripción
Sumario:A chapter of the book "Studies in Honor of Denah Lida" that cites the Andean characters in the musical melodrama "Hima-Sumac" of author Clorinda Matto de Turner is presented. The "Hima-Sumac" addresses the discords of the 1880s because of the War of the Pacific, featuring Hima-Sumac who, despite being engaged to Tupac-Amaru, fell in love with a Spaniard who is interested in the Inca gold and the daughter of Ollanta in the Quechua play "Ollantay" of Juana Manuela Gorriti. It reviews Gorriti's "El tesoro de los incas."