Role Models and Andean Identities in Clorinda Matto de Turner's Hima-Sumac.

A chapter of the book "Studies in Honor of Denah Lida" that cites the Andean characters in the musical melodrama "Hima-Sumac" of author Clorinda Matto de Turner is presented. The "Hima-Sumac" addresses the discords of the 1880s because of the War of the Pacific, featuring Hima-Sumac who, despite bei...

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Detalles Bibliográficos
Publicado en:Studies in Honor of Denah Lida pp. 297 - 306
Autor principal: Berg, Mary G.
Formato: Capítulo de libro
Publicado: Digitalia Publishing Corp. 2005
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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      jtl: Studies in Honor of Denah Lida
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      dt: 2005
      pid: 39253
      pub: Digitalia Publishing Corp.
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        atl: Role Models and Andean Identities in Clorinda Matto de Turner's Hima-Sumac.
      aug:
        au: Berg, Mary G.
        affil: Women's Studies Research Center, Brandeis University
      su:
        Andean art
        Melodrama in art
        Musicals
        Matto de Turner, Clorinda, 1852-1909
        Inca goldwork
        Drama
        Quechua literature
        20th century (Literary period)
      sug:
        subj:
          Andean art
          Melodrama in art
          Musicals
          Matto de Turner, Clorinda, 1852-1909
          Inca goldwork
          Drama
          Quechua literature
          20th century (Literary period)
      ab: A chapter of the book "Studies in Honor of Denah Lida" that cites the Andean characters in the musical melodrama "Hima-Sumac" of author Clorinda Matto de Turner is presented. The "Hima-Sumac" addresses the discords of the 1880s because of the War of the Pacific, featuring Hima-Sumac who, despite being engaged to Tupac-Amaru, fell in love with a Spaniard who is interested in the Inca gold and the daughter of Ollanta in the Quechua play "Ollantay" of Juana Manuela Gorriti. It reviews Gorriti's "El tesoro de los incas."
      pubtype: Book
      doctype: Book Chapter
      src: R
    language: English
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