Melodic Contour and Nonretrogradable Structure in the Birdsong of Olivier Messiaen.

Taking its cue from several highly suggestive remarks found in his interviews and two major theoretical treatises, this article investigates melodic contour structure in Olivier Messiaen's mature birdsong. Following some key refinements to Robert Morris's (1993) Contour-Reduction Algorithm and prime...

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Detalles Bibliográficos
Publicado en:Music Theory Spectrum Vol. 30; no. 1; pp. 89 - 138
Autor principal: SCHULTZ, ROB
Formato: Artículo
Publicado: Oxford University Press / USA Spring2008
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Acceso en línea:Ver este registro en EBSCOhost