COLLABORATIVE CREATION, LIVE PERFORMANCE AND FLOCK.
The author describes his recent music composition with the help of Flock's software, which uses novel computer vision and real-time notation systems to delay content creation until the moment of each performance. In a full-evening work for saxophone quartet, dancers, electronic sound, video and audi...
| Publicado en: | Leonardo Music Journal Vol. 18; no. 1; pp. 44 - 46 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
MIT Press
Dec2008
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The author describes his recent music composition with the help of Flock's software, which uses novel computer vision and real-time notation systems to delay content creation until the moment of each performance. In a full-evening work for saxophone quartet, dancers, electronic sound, video and audience participation, the author attempted to reconcile the growing cultural shift toward collaborative models of content creation with the one-too-many music creation and dissemination that has traditionally dominated live performance. |
|---|