COLLABORATIVE CREATION, LIVE PERFORMANCE AND FLOCK.
The author describes his recent music composition with the help of Flock's software, which uses novel computer vision and real-time notation systems to delay content creation until the moment of each performance. In a full-evening work for saxophone quartet, dancers, electronic sound, video and audi...
| Publicado en: | Leonardo Music Journal Vol. 18; no. 1; pp. 44 - 46 |
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| Formato: | Artículo |
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MIT Press
Dec2008
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=35188232&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 35188232 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2008 vid: 18 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 35188232 10.1162/lmj.2008.18.44 ppf: 44 ppct: 2 formats: fmt: @attributes: type: P size: 97KB tig: atl: COLLABORATIVE CREATION, LIVE PERFORMANCE AND FLOCK. aug: au: Freeman, Jason affil: Assistant professor of music, Georgia Institute of Technology, Atlanta su: Musical composition Computer software Musical performance Saxophone Sound recordings Computer sound processing sug: subj: Musical composition Computer software Musical performance Saxophone Sound recordings Computer sound processing ab: The author describes his recent music composition with the help of Flock's software, which uses novel computer vision and real-time notation systems to delay content creation until the moment of each performance. In a full-evening work for saxophone quartet, dancers, electronic sound, video and audience participation, the author attempted to reconcile the growing cultural shift toward collaborative models of content creation with the one-too-many music creation and dissemination that has traditionally dominated live performance. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2008 holdings: @attributes: islocal: N |
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