Why Live? Performance in the Age of Digital Reproduction.

The article discusses various reports published within the issue including one which draws analogies between digital sampling and recording and its antecedents in jazz improvisation, and an article which discusses the ambiguous identity of technology in live performance.

Bibliographic Details
Published in:Leonardo Music Journal Vol. 18; no. 1; pp. 7 - 9
Main Author: COLLINS, NICOLAS
Format: Article
Published: MIT Press Dec2008
Subjects:
Online Access:View this record in EBSCOhost