Southern Girls or Tibetan Knights: A Liang (502-557) Court Performance.

The article examines the yuefu compositions entitled "Xiangyang ta tongti ge," by Xiao Yan, the founding emperor of the Liang dynasty in China. The analysis is aimed at providing an understanding of Liang Wudi's creation of court music and the sound of the perished state, which is a derogatory epith...

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Publicado en:Journal of the American Oriental Society Vol. 128; no. 1; pp. 69 - 84
Autor principal: PING WANG
Formato: Artículo
Publicado: American Society for Premodern Asia (ASPA) Jan-Mar2008
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Southern Girls or Tibetan Knights: A Liang (502-557) Court Performance.
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        au: PING WANG
        affil: Princeton University
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        Epithets
        Chinese poetry
        Rites & ceremonies
        Xiao, Yan, 464-549
        Liang dynasty, China, 502-557
        China
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          China
          Epithets
          Chinese poetry
          Rites & ceremonies
          Xiao, Yan, 464-549
          Liang dynasty, China, 502-557
      ab: The article examines the yuefu compositions entitled "Xiangyang ta tongti ge," by Xiao Yan, the founding emperor of the Liang dynasty in China. The analysis is aimed at providing an understanding of Liang Wudi's creation of court music and the sound of the perished state, which is a derogatory epithet used to explain the failure of the Liang dynasty and the art and literature of the late Southern Dynasties. Despite the numerous studies on Xiao Yun as a political figure few were known to be done on his poetry. The emperor initiated projects for the restoration of rituals and court music upon his ascension to the throne.
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