Southern Girls or Tibetan Knights: A Liang (502-557) Court Performance.
The article examines the yuefu compositions entitled "Xiangyang ta tongti ge," by Xiao Yan, the founding emperor of the Liang dynasty in China. The analysis is aimed at providing an understanding of Liang Wudi's creation of court music and the sound of the perished state, which is a derogatory epith...
| Publicado en: | Journal of the American Oriental Society Vol. 128; no. 1; pp. 69 - 84 |
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| Formato: | Artículo |
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American Society for Premodern Asia (ASPA)
Jan-Mar2008
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=40514637&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 40514637 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: JOY jtl: Journal of the American Oriental Society maglogo: N pubinfo: dt: Jan-Mar2008 vid: 128 iid: 1 pid: 1463 pub: American Society for Premodern Asia (ASPA) artinfo: ui: 40514637 ppf: 69 ppct: 15 formats: fmt: @attributes: type: P size: 1.1MB tig: atl: Southern Girls or Tibetan Knights: A Liang (502-557) Court Performance. aug: au: PING WANG affil: Princeton University su: Epithets Chinese poetry Rites & ceremonies Xiao, Yan, 464-549 Liang dynasty, China, 502-557 China sug: subj: China Epithets Chinese poetry Rites & ceremonies Xiao, Yan, 464-549 Liang dynasty, China, 502-557 ab: The article examines the yuefu compositions entitled "Xiangyang ta tongti ge," by Xiao Yan, the founding emperor of the Liang dynasty in China. The analysis is aimed at providing an understanding of Liang Wudi's creation of court music and the sound of the perished state, which is a derogatory epithet used to explain the failure of the Liang dynasty and the art and literature of the late Southern Dynasties. Despite the numerous studies on Xiao Yun as a political figure few were known to be done on his poetry. The emperor initiated projects for the restoration of rituals and court music upon his ascension to the throne. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of the American Oriental Society is the property of American Society for Premodern Asia (ASPA) and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of the American Oriental Society holder: American Society for Premodern Asia (ASPA) dt: @attributes: year: 2008 holdings: @attributes: islocal: N |
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