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The Visual Trajectory of José Juan Tablada.

A critique is presented of visual poems such as "Impresión de la Habana," "El puñal," and "Talon rouge" by early 20th century Mexican American poet José Juan Tablada. Avant-garde poetry, Tablada's calligram poems, and his influence from French poetry are discussed, as well as his association with au...

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Published in:Hispanic Review Vol. 69; no. 2; pp. 191 - 209
Main Author: Bohn, Willard
Format: Article
Published: University of Pennsylvania Press Spring2001
Subjects:
Impresión de la Habana (Poem)
El puñal (Poem)
Talon rouge (Poem)
Tablada, José Juan, 1871-1945
Mexican American poetry
Mexican poetry
Experimental poetry
De Zayas, Marius
Visual poetry
Online Access:View this record in EBSCOhost
Summary:A critique is presented of visual poems such as "Impresión de la Habana," "El puñal," and "Talon rouge" by early 20th century Mexican American poet José Juan Tablada. Avant-garde poetry, Tablada's calligram poems, and his influence from French poetry are discussed, as well as his association with author Marius de Zayas in New York City.