Forming the craft: Play-writing and photoplay-writing in Britain in the 1910s.
The significance of tracing intermedial connections lies not only in seeing the emergence of a new discipline but also in understanding more of what practitioners thought they were doing. For narrative film-making, the professionalization of screenwriting involved rationalization based principally a...
| Publicado en: | Early Popular Visual Culture Vol. 8; no. 1; pp. 75 - 90 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=47992355&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 47992355 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 17460654 15UY jtl: Early Popular Visual Culture issn: 17460654 maglogo: N pubinfo: dt: Feb2010 vid: 8 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 47992355 10.1080/17460650903515970 ppf: 75 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 76KB tig: atl: Forming the craft: Play-writing and photoplay-writing in Britain in the 1910s. aug: au: Macdonald, IanW. affil: University of Leeds, Leeds, UK su: Screenplays Playwriting Film scriptwriting Archer, William, 1856-1924 Professionalization sug: subj: Screenplays Playwriting Film scriptwriting Archer, William, 1856-1924 Professionalization keyword: dramaturgy professionalization scenario screen idea screenplay screenwriting ab: The significance of tracing intermedial connections lies not only in seeing the emergence of a new discipline but also in understanding more of what practitioners thought they were doing. For narrative film-making, the professionalization of screenwriting involved rationalization based principally around theatre and art practice, drawing on sources such as theatre critic William Archer's Play-making (1912). Using a quasi-linguistic model, and by comparing Archer with screenwriting advice, opinion and practice from the 1910s, this article traces the establishment of the assumptions that still underpin professional screenwriting today. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Early Popular Visual Culture is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Early Popular Visual Culture holder: Taylor & Francis Ltd dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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