'The Deep Still Land of Colours': Color Imagery in the Defence of Guenevere and Other Poems.
Focuses on pre-Raphaelite poems that contain vivid color imagery and which use color as a literary device. Examination of 'The Defence of Guenevere and Other Poems,' which shows how carefully William Morris employs color as a means of manipulating readers' emotional responses to the characters and s...
| Publicado en: | Studies in Philology Vol. 84; no. 2; pp. 180 - 194 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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University of North Carolina Press
Spring87
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | Focuses on pre-Raphaelite poems that contain vivid color imagery and which use color as a literary device. Examination of 'The Defence of Guenevere and Other Poems,' which shows how carefully William Morris employs color as a means of manipulating readers' emotional responses to the characters and situations in his poetry; Morris' observation of medieval art forms. |
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