'The Deep Still Land of Colours': Color Imagery in the Defence of Guenevere and Other Poems.

Focuses on pre-Raphaelite poems that contain vivid color imagery and which use color as a literary device. Examination of 'The Defence of Guenevere and Other Poems,' which shows how carefully William Morris employs color as a means of manipulating readers' emotional responses to the characters and s...

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Publicado en:Studies in Philology Vol. 84; no. 2; pp. 180 - 194
Autor principal: Tarvers, Josephine Koster
Formato: Literary Criticism
Publicado: University of North Carolina Press Spring87
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: 'The Deep Still Land of Colours': Color Imagery in the Defence of Guenevere and Other Poems.
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        au: Tarvers, Josephine Koster
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        Color in literature
        Pre-Raphaelitism
        Art & literature
        Morris, William, 1834-1896
        Criticism
        Defence of Guenevere & Other Poems, The (Book)
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          Color in literature
          Pre-Raphaelitism
          Art & literature
          Morris, William, 1834-1896
          Criticism
          Defence of Guenevere & Other Poems, The (Book)
      ab: Focuses on pre-Raphaelite poems that contain vivid color imagery and which use color as a literary device. Examination of 'The Defence of Guenevere and Other Poems,' which shows how carefully William Morris employs color as a means of manipulating readers' emotional responses to the characters and situations in his poetry; Morris' observation of medieval art forms.
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