MIDDLE CLASS REBELLION IN TWO RIVER PLATE MOVIES: UNA SOMBRA YA PRONTO SERÁS Y EL ÚLTIMO TREN.

The article examines two road motion pictures "Una Sombra Ya Pronto Serás" and "El Último Tren." It argues that American road movies offer a model that is readapted to the local considerations of the River Plate region. It highlights rebelliousness as expressed through the rejection of characters of...

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Publicado en:Chasqui (01458973) Vol. 39; no. 1; pp. 3 - 14
Autor principal: Rocha, Carolina
Formato: Artículo
Publicado: Chasqui may2010
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: MIDDLE CLASS REBELLION IN TWO RIVER PLATE MOVIES: UNA SOMBRA YA PRONTO SERÁS Y EL ÚLTIMO TREN.
      aug:
        au: Rocha, Carolina
        affil: Southern Illinois University-Edwardsville
      su:
        Road films
        Insurgency
        Middle class
        Neoliberalism
        Political stability
        Motion picture plots & themes
        Una Sombra Ya Pronto Seras (Film)
        El Ultimo Tren (Film)
        Argentina
        Uruguay
      sug:
        subj:
          Argentina
          Uruguay
          Road films
          Insurgency
          Middle class
          Neoliberalism
          Political stability
          Motion picture plots & themes
          Una Sombra Ya Pronto Seras (Film)
          El Ultimo Tren (Film)
      ab: The article examines two road motion pictures "Una Sombra Ya Pronto Serás" and "El Último Tren." It argues that American road movies offer a model that is readapted to the local considerations of the River Plate region. It highlights rebelliousness as expressed through the rejection of characters of being anchored in cities and/or of showing conforming identities. It discusses that the characters taking the road in the Uruguayan and Argentine road movies belong to the middle-class and carry the destabilization brought about by the execution of neo-liberal measures.
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    language: English
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