Free Enterprise: Virtual Capital and Counterfeit Music at the End of the Century.
How does a piece of computer network music reflect the virtual economy of the late twentieth century? Was the "open-form" music of the 1960s a bedfellow of organizational science? The author conjectures about the nature of distributed composition and the socioeconomic implications of its application...
| Published in: | Leonardo Music Journal Vol. 9; no. 1; pp. 19 - 23 |
|---|---|
| Main Author: | |
| Format: | Article |
| Published: |
MIT Press
Dec1999
|
| Subjects: | |
| Online Access: | View this record in EBSCOhost |
| Summary: | How does a piece of computer network music reflect the virtual economy of the late twentieth century? Was the "open-form" music of the 1960s a bedfellow of organizational science? The author conjectures about the nature of distributed composition and the socioeconomic implications of its application in a composition for networked credit card readers. |
|---|