The Real-Time-Score: Nucleus and Fluid Opus.
The author describes his concept of Real-Time-Score, which he has used in compositions since 1994. Real-Time-Scores are based on the evolution of complex dynamic systems and generate the formal structure of an entire piece, which includes the following levels: the live sound played by the musician;...
| Publicado en: | Contemporary Music Review Vol. 29; no. 1; pp. 89 - 101 |
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| Autor principal: | |
| Formato: | Artículo |
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Taylor & Francis Ltd
2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=53772446&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 53772446 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2010 vid: 29 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 53772446 10.1080/07494467.2010.509598 ppf: 89 ppct: 12 formats: fmt: – @attributes: type: T – @attributes: type: P size: 503KB tig: atl: The Real-Time-Score: Nucleus and Fluid Opus. aug: au: Winkler, GerhardE. su: Real-time control Real-time programming Musical composition Musical accompaniment Musical performance sug: subj: Real-time control Real-time programming Musical composition Musical accompaniment Musical performance keyword: Computer Simulations Interactive Music Live-Electronic Sound Transformation Mathematic Modelling of Dynamic Systems Musical Self- Organization Musical Self-Organization Real-Time-Score ab: The author describes his concept of Real-Time-Score, which he has used in compositions since 1994. Real-Time-Scores are based on the evolution of complex dynamic systems and generate the formal structure of an entire piece, which includes the following levels: the live sound played by the musician; the ad hoc electronically transformed live sound; and the interaction between the player and the computer. These aspects define a kind of musical self-organization, where the formal structure of a piece is unique to each performance as a result of the above-mentioned complex interrelations. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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