The Real-Time-Score: Nucleus and Fluid Opus.
The author describes his concept of Real-Time-Score, which he has used in compositions since 1994. Real-Time-Scores are based on the evolution of complex dynamic systems and generate the formal structure of an entire piece, which includes the following levels: the live sound played by the musician;...
| Published in: | Contemporary Music Review Vol. 29; no. 1; pp. 89 - 101 |
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| Format: | Article |
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Taylor & Francis Ltd
2010
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| Online Access: | View this record in EBSCOhost |
| Summary: | The author describes his concept of Real-Time-Score, which he has used in compositions since 1994. Real-Time-Scores are based on the evolution of complex dynamic systems and generate the formal structure of an entire piece, which includes the following levels: the live sound played by the musician; the ad hoc electronically transformed live sound; and the interaction between the player and the computer. These aspects define a kind of musical self-organization, where the formal structure of a piece is unique to each performance as a result of the above-mentioned complex interrelations. |
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