4. Framing Consciousness in Art.
The author explains approaches to art history and consciousness in relation to an analysis of works of art. He describes the superpositioning of the fictive painting in Diego Velázquez's "Las Meninas" as a superposition between lower and higher-order thoughts. He notes that sight watched comes into...
| Publicado en: | Consciousness, Literature & the Arts (1573-2193) Vol. 20; pp. 193 - 378 |
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| Autor principal: | |
| Formato: | Artículo |
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Brill / Rodopi
2009
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The author explains approaches to art history and consciousness in relation to an analysis of works of art. He describes the superpositioning of the fictive painting in Diego Velázquez's "Las Meninas" as a superposition between lower and higher-order thoughts. He notes that sight watched comes into play in the visual inspection of a printed diagram illustrating the visual apparatus. He notes that Johannes Vermeer's "The Art of Painting" is characterized by the multiplicity of types of surfaces and planes. |
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