4. Framing Consciousness in Art.

The author explains approaches to art history and consciousness in relation to an analysis of works of art. He describes the superpositioning of the fictive painting in Diego Velázquez's "Las Meninas" as a superposition between lower and higher-order thoughts. He notes that sight watched comes into...

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Publicado en:Consciousness, Literature & the Arts (1573-2193) Vol. 20; pp. 193 - 378
Autor principal: MINISSALE, GREGORY
Formato: Artículo
Publicado: Brill / Rodopi 2009
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Acceso en línea:Ver este registro en EBSCOhost
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        Art history
        Consciousness
        Art theory
        Thought & thinking
        Velázquez, Diego, 1599-1660
        Vermeer, Johannes, 1632-1675
        Painting
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          Art history
          Consciousness
          Art theory
          Thought & thinking
          Velázquez, Diego, 1599-1660
          Vermeer, Johannes, 1632-1675
          Painting
      ab: The author explains approaches to art history and consciousness in relation to an analysis of works of art. He describes the superpositioning of the fictive painting in Diego Velázquez's "Las Meninas" as a superposition between lower and higher-order thoughts. He notes that sight watched comes into play in the visual inspection of a printed diagram illustrating the visual apparatus. He notes that Johannes Vermeer's "The Art of Painting" is characterized by the multiplicity of types of surfaces and planes.
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