Surveillance and Social Memory: Strange Days Indeed.

The article presents criticism on the film "Strange Days," directed by Kathryn Bigelow. It discusses the use of a technology called Superconducting Quantum Interference Device (SQUID) in this film for cinematic representaions of surveillance. It studies the establishment of narrative connectivity be...

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Detalles Bibliográficos
Publicado en:Discourse: Journal for Theoretical Studies in Media & Culture Vol. 32; no. 3; pp. 302 - 321
Autor principal: Zimmer, Catherine
Formato: Film/TV Criticism and Review
Publicado: Wayne State University Press Fall2010
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Acceso en línea:Ver este registro en EBSCOhost
Descripción
Sumario:The article presents criticism on the film "Strange Days," directed by Kathryn Bigelow. It discusses the use of a technology called Superconducting Quantum Interference Device (SQUID) in this film for cinematic representaions of surveillance. It studies the establishment of narrative connectivity between absolute subjective experience and the use of representational media in surveillance and racial formations through SQUID.