Surveillance and Social Memory: Strange Days Indeed.
The article presents criticism on the film "Strange Days," directed by Kathryn Bigelow. It discusses the use of a technology called Superconducting Quantum Interference Device (SQUID) in this film for cinematic representaions of surveillance. It studies the establishment of narrative connectivity be...
| Publicado en: | Discourse: Journal for Theoretical Studies in Media & Culture Vol. 32; no. 3; pp. 302 - 321 |
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| Autor principal: | |
| Formato: | Film/TV Criticism and Review |
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Wayne State University Press
Fall2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=66736456&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 66736456 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15225321 NC3 jtl: Discourse: Journal for Theoretical Studies in Media & Culture issn: 15225321 maglogo: N pubinfo: dt: Fall2010 vid: 32 iid: 3 pid: 426 pub: Wayne State University Press artinfo: ui: 66736456 10.1353/dis.2010.a454076 ppf: 302 ppct: 19 formats: fmt: @attributes: type: P size: 111KB tig: atl: Surveillance and Social Memory: Strange Days Indeed. aug: au: Zimmer, Catherine su: Strange Days (Film) Bigelow, Kathryn, 1951- Film criticism Surveillance detection sug: subj: Strange Days (Film) Bigelow, Kathryn, 1951- Film criticism Surveillance detection ab: The article presents criticism on the film "Strange Days," directed by Kathryn Bigelow. It discusses the use of a technology called Superconducting Quantum Interference Device (SQUID) in this film for cinematic representaions of surveillance. It studies the establishment of narrative connectivity between absolute subjective experience and the use of representational media in surveillance and racial formations through SQUID. pubtype: Academic Journal doctype: Film/TV Criticism and Review src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Discourse: Journal for Theoretical Studies in Media & Culture is the property of Wayne State University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Discourse: Journal for Theoretical Studies in Media & Culture holder: Wayne State University Press dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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