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LA CELDA, EL HÁBITO Y LA EVASIÓN EPISTOLAR EN SOR JUANA INÉS DE LA CRUZ.

Focused on the visual representations of Sor Juana Inés de la Cruz, this paper reflects on the relationship between the Baroque of the Indies aesthetics and their context o production. Based on the above coordinates, it reviews the nun's work and the epistolary orientation that her poems acquire as...

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Published in:Revista Chilena de Literatura no. 81; pp. 69 - 90
Main Author: Martínez, Luz Ángela
Format: Article
Published: Universidad de Chile abr2012
Subjects:
Juana de la Cruz, sor, 1481-1534
Aesthetics
Epistolary poetry
Portraits
Aesthetic movement (Art)
Portrait sculpture
Online Access:View this record in EBSCOhost
Summary:Focused on the visual representations of Sor Juana Inés de la Cruz, this paper reflects on the relationship between the Baroque of the Indies aesthetics and their context o production. Based on the above coordinates, it reviews the nun's work and the epistolary orientation that her poems acquire as a form of escape from the convent and habit.
Centrado en las representaciones plásticas de Sor Juana Inés de la Cruz, el presente trabajo reflexiona sobre la relación entre la representación del Barroco de Indias y su contexto de producción. A partir de las anteriores coordenadas, revisa la obra de la monja y la orientación epistolar que adquieren sus poemas como forma de evasión de la celda y el hábito.