Faust is Dead. Mark Ravenhill's View on a Posthuman Era.

This article departs from a close reading of Mark Ravenhill's Faust (Faust is Dead) and argues that the play in its radical postmodern sensibilities asks fundamental questions about the future of the tragic hero in contemporary playwriting. One of its central notions is Fukuyama's megalothymia to de...

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Publicado en:	Neophilologus Vol. 96; no. 4; pp. 651 - 660
Autor principal:	Vos, Laurens
Formato:	Artículo
Publicado:	Springer Nature Oct2012
Materias:	Posthumanism Postmodernism (Philosophy) Faust Is Dead (Theatrical production) Ravenhill, Mark Fukuyama, Francis, 1952-
Acceso en línea:	Ver este registro en EBSCOhost