Faust is Dead. Mark Ravenhill's View on a Posthuman Era.
This article departs from a close reading of Mark Ravenhill's Faust (Faust is Dead) and argues that the play in its radical postmodern sensibilities asks fundamental questions about the future of the tragic hero in contemporary playwriting. One of its central notions is Fukuyama's megalothymia to de...
| Publicado en: | Neophilologus Vol. 96; no. 4; pp. 651 - 660 |
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| Formato: | Artículo |
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Springer Nature
Oct2012
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| Acceso en línea: | Ver este registro en EBSCOhost |