Animation and manipulation figures in digital literature and the poetics of (de-)coherence.

Like most authors of digital works of the narrative genre, Gregory Chatonsky is opposed to the idea that plots should be written according to the novelistic traditions. His hyperfiction entitled The Subnetwork is no exception. For the clash of heterogeneous media in this work to produce a ‘community...

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Bibliographic Details

Published in:	Literary & Linguistic Computing Vol. 27; no. 3; pp. 321 - 331
Main Author:	Saemmer, Alexandra
Format:	Article
Published:	Oxford University Press / USA Sep2012
Subjects:	Hypertext literature Computer-generated imagery Poetics Manipulative behavior in literature Chatonsky, Grégory
Online Access:	View this record in EBSCOhost